#SPIRAL JETTY 2015 HOW TO#

The film suggests a hallucinatory visual effect after staring a long while at a single spot. The reflections of sun rays penetrating through the rocks on the water’s surface in a narrow gap in Plakánek valley of a side stream of Klenice Creek in Bohemian Paradise. Digital transcription of a super-8mm color film made by Miloš Šejn.

Produced by the Agosto Foundation.Įdited by: Ondřej Vavrečka, Miloš Vojtěchovský, Michal KindernayĬinematography: Dominik Žižka, Vladimír Turner, Michal Kindernay, Miloš VojtěchovskýĮchoes (1979). Premiering a documentary about the fossil landscape of the North Bohemia. Crump’s second film, Troublemakers: The Story of Land Art premiered at the 2015 New York Film Festival and in Europe at Fondazione Prada, Milan, Italy. Currently working on Antonio Lopez 1970: Sex Fashion & Disco, a feature length documentary-based time capsule concerning Paris and New York between 19 viewed through the eyes of Antonio Lopez (1943-1987), the dominant fashion illustrator of the time, and told through the lives of his colorful and often outrageous entourage. James Crump made his directorial debut at the 2007 Tribeca Film Festival with Black White + Gray, featuring the influential and legendary curator and collector Sam Wagstaff and artist Robert Mapplethorpe. The film includes rare footage and interviews which unveil the enigmatic lives and careers of storied artists Robert Smithson ( Spiral Jetty), Walter De Maria ( The Lightning Field) and Michael Heizer ( Double Negative) a headstrong troika that established the genre. Iconoclasts who changed the landscape of art forever, these revolutionary, antagonistic creatives risked their careers on radical artistic change and experimentation, and took on the establishment to produce art on their own terms. The film casts these artists in a heroic light, which is exactly how they saw themselves. The film features a cadre of renegade New York artists that sought to transcend the limitations of painting and sculpture by producing earthworks on a monumental scale in the desolate desert spaces of the American southwest. Troublemakers unearths the history of land art in the tumultuous late 1960s and early 1970s.

#SPIRAL JETTY 2015 HOW TO#

The white blotches aren’t snow, that’s crystals of salt.ĭo you want to visit Spiral Jetty? Here is Dia Art Foundation’s directions on how to find it.Troublemakers: The Story of Land Art. The Jetty is a site-specific work, meant to interact with changing conditions of the surrounding water, land, and atmosphere. Mini interpretations of Spiral Jetty everywhere ISBN 978-1-95 Robert Smithson designed and directed the construction of his iconic work the Spiral Jetty in April 1970. There’s one way in, there’s one way out.Ī video with questionable musical choices. Robert Smithson’s famous earthwork Spiral Jetty (1970) in the Great Salt Lake in Utah saw a dramatic spike in visitors at the start of the coronavirus pandemic last year, according to an.

He was a writer as well as a sculptor and left us with a really challenging and interesting body of written work that’s provided the foundation for a lot of subsequent work that’s been done in the landscape. I preferred when we stopped down the road on our way back and walked towards the lake between pillars that were once docks. You can’t just stumble upon the Spiral Jetty. Spiral Jetty is probably the best known work by Robert Smithson, who was one of the most interesting artists of the late sixties and early seventies. It’s a journey that passes horses, cows, sheep, you name it. You have to drive out to the middle of nowhere for Spiral Jetty.

It’s made from mud and basalt rocks from the area surrounding it, and it’s been washing away slowly ever since. Smithson documented the construction of the sculpture in a 32-minute color film also titled Spiral Jetty. It was completed in April of 1970 and has been left for the visitor to discover and explore with adventurous spirit. Coordinates: 41.437683N 112.668913W Spiral Jetty is an earthwork sculpture constructed in April 1970 that is considered to be the most important work of American sculptor Robert Smithson. It has tides, and this time you could see Robert Smithson’s entire earthwork, in all it’s decaying glory. I’ve been here once before, back when I lived in Salt Lake City for one month for an internship.

Spiral jetty 2015